O displays the Loops browser (Apple Loops). P displays the scrolling partition editor.The Basics (without talking about playback, stop and recording again): There are a multitude of keyboard shortcuts in logic knowing that you can define your own shortcuts. I invite you to watch a video detailing the tool… Keyboard shortcuts Same thing in the scrolling score window where I often use the shortcut B (Brush tool) to write rhythmic patterns quickly. I often use the shortcut G (Glue tool) to paste two regions together in the arrangement window. The shortcut T used in the arrangement window displays the list of tools that can be used with the mouse. And one of the most useful, in the scrolling score editor, if you strongly press on a note it is erased.Still clicking strongly on the name of a region allows you to rename it.Allows you to create markers at the position of the playhead by clicking strongly.Clicking strongly under a track header opens the track creation menu.Little tricks!įor Trackpad users it is possible to activate the Force Touch function, another time-saving tip. Depending on whether you are composing or saving the tool selection in the Arrangement window will not be the same all to make your work easier. The choice of tools matches your workflow. How to be efficient on Logic Pro X? With the simplest of settings! You have to go to the Logic Pro X main menu ➞ Preferences ➞ Advanced tools… Let’s get started with the advanced tools Once the adjustments are made, we don’t have to worry about it anymore. Very simply with the settings of Logic Pro X! I exclude from this chapter the settings of the audio engine. How do you set up Logic Pro X to get to the essentials? The Library, it will be very useful for you.Models so you don’t waste any more time.The processes of composition assistance.Keyboard shortcuts or how to know the software better.The tools your companions used to save time.The settings or how to properly set Logic Pro X to get to the essentials.To answer this question, I will explore different aspects of Logic Pro X with concrete examples. Making your own key commands is a great way to have your own unique set of tools that can help you beat the clock in every session.Writing a song with Logic Pro X is an unreachable dream? Let me tell you some of my secrets !!! Or more simply how to be efficient on Logic Pro X. Option + K | Key Commands, make your own. Pretty self-explanatory, but probably the key command you’ll want to abuse the most!ĭidn’t mean to delete that part? Fear not! Undo and go back to save your bacon.Ī quick way to exit all apps on a mac, not just Logic! Use this key command to colour code each of your channels and regions. Need to off load some processing, or want to render midi to audio? Bounce in place!Įvery pro producer knows that organisation is key to working long hours inside your DAW. The Logic Library opens a bigger world outside of just loops, including drum kits, patches and other tools. Looping a specific region can be a great way to audition new parts and elements. You’ll spend a lot of time recalling your piano roll, so get used to toggling between this window and your timeline! Working with loops? Hit ‘O’ and open up the loop library to go through hundreds of loops which you can utilise in your own productions.Īnother essential tool for editing waveforms, midi data – and more! Want to loop that section of your song? Hit cycle! A click is almost a requirement in today’s modern world of production, having it on one simple key is ideal for tracking takes. Use this one to save you reaching for the mix window with your mouse countless times! The mixer window is an essential part of keeping levels balanced and creating decisions along the production timeline. This is by far one of the most useful key commands in Logic Pro if you’re tracking live instruments or even Midi for that matter.
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Packer offers three historical examples of Americans who, in their different ways, were able to break out of the usual ideological molds. “Just America” includes millennials, social justice warriors, the concept of identity politics, “wokeness,” and the pervading concern with how “a whole system of oppression can exist within a single word.” Plenty has been said about the excesses of tone policing and cancel culture, but it’s good to be reminded that college students complaining about “cultural appropriation” over the ingredients of a cafeteria sandwich is less significant than how “the $12-an-hour dining hall workers reacted with bemusement, or sullen rage.” Bill Clinton, the Rhodes scholar from Arkansas, won two elections by appealing to building a “bridge to the 21st century.” Clintonism was boosted by the internet boom (which Al Gore wisely funded early) and borrowed policy from the right while sweet-talking the left, thus triangulating his way to victory during the so-called “end of history.”įurther to the left, there’s what Packer calls “Just America” who largely grew up burdened by the dismal economic fallout from Clinton’s triangulation: drowning in unpayable student debt, overeducated and underemployed, unimpressed by the sight of people of color in high places-a generation that grew up suspicious of what other generations took for granted. These are the Boomer types who are all for socially liberal causes but who don’t particularly want the inconvenience or sacrifice real social change requires. On the center-left side of the spectrum, there’s “Smart America,” the meritocratic, Ivy League, globalized, data- and tech-obsessed, urban professional elite. And her creepy clones (Marjorie Taylor Greene, Lauren Boebert, etc.) throw the ostensible wholesomeness of Real America, plagued with paranoia, scapegoating, and addiction, into serious question. This certainly seemed true for a time but Palin’s quick slide from VP candidate to reality TV star only emphasizes how much of a charade her “hockey mom” persona was all along. Packer, somewhat misguidedly, puts Sarah Palin as Real America’s avatar. Free America’s hero is the avuncular Ronald Reagan, who regularly let Wall Street greedheads and corporate raiders get away with financial larceny while genially explaining that the scariest words in the world were, “I’m from the government, and I’m here to help.” Reagan’s administration didn’t care very much about overbearing government when it suited their various unconstitutional agendas, but that’s another story.įree America has developed an unlikely political ally in “Real America,” which is depicted in a million soft-focus political ads touting the simple joys of rural and small-town American life, with its fetishizing of piety, hard work, common sense, and family values. His most recent nonfiction, Last Best Hope, was inspired by the extended political essays of Orwell and Whitman with a subtitle that aims to address “America in crisis and renewal.” Packer attempts to outline the different contours of American political life, which he calls “the four Americas.”įirst, there’s what he calls “Free America,” which relentlessly pushes for every form of deregulation, valorizes the free market, and enjoys massive tax cuts benefiting corporations. Instead of just crunching numbers or mounting a soapbox, Packer analyzes the country’s disparate narratives and forensically inspects their roots and contradictions. George Packer is a journalist as well as a fiction writer, and these two disciplines inform how he interprets America. It’s high time to take some sober stock of the state of the nation. Maybe we’ve all fallen in love with the drama, gleefully living out our vicarious political grudges within the anonymity of cyberspace. Even out of office, Donald Trump stokes the xenophobic right’s passionate intensity while the left lacks all conviction on how to use their meager legislative edge. We’re still fiercely divided, as we have been since the 21st century began. As we emerge from our COVID cocoons, after all the endless hours spent doomscrolling and anguishing, despite having a new administration, it sometimes feels like not much has really changed. ➜This is the Mac version of the successful iPad and iPhone app downloaded more than 50000 times, rated more than 4 stars, mentioned in the New York Times,awarded by Children Technology Review, and recommended by parents & teachers. ➜ Full Montessori Movable Alphabet with letter sounds (consonants and short vowels phonics) ➜300 word-image-audio combinations classified in 3 levels of phonetic difficulty appropriate for ages 3/4 to 8 Selected by Apple in "Macs in Class" List ! 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The beat switch on the song most definitely caught me by surprise, making me wonder if these were just two different songs put together, but it’s shown early on in this album that Lil Baby isn’t here to mess around. The first three tracks have some real replay value, especially “Pop Out” with Nardo Wick. “I know I’m the motivation, they see me, they see a hero / Lot of n****s rich, but it hit different when you come from zero,” Baby raps. Baby reminds people of his roots from the streets of Atlanta, a route that is talked about in his documentary, “ Untrapped: The Story of Lil Baby.” Two years since his last solo project, Lil Baby comes with “It’s Only Me.” He leads things off with “Real Spill,” an intro track that I didn’t really like after a first listen, but has grown on me after multiple listens. However, after hearing it, Lil Baby’s legacy remains in tact. I was scared the internet was gonna give Lil Baby the Roddy Ricch treatment when it comes to slander with this new album. I say this because his songs like “Woah” and “Sum 2 Prove” were very excellent lead singles for 2020’s “My Turn,” but these new songs just weren’t it. His lead singles to his new album, “Heyy” and “Detox” were definitely not the strongest songs to lead towards the album. 14 release date crept closer, I was a little concerned for the Atlanta rapper. I was excited to hear the news that Lil Baby was dropping his new solo album “It’s Only Me,” after just dropping one project in 2021, his collaboration album “Voice of the Heroes” with Lil Durk. For a guy who only started rapping in 2017, he’s surely made his presence widely known in Hip-Hop. He had a run from 2019 to 2021 where he was one of the hottest rappers on the planet: Dropping his critically acclaimed sophomore project, “My Turn,” his Grammy nominated song about police brutality, “The Bigger Picture,” and being on what feels like everyone’s albums, including Drake and Kanye West’s. 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I called process._getActiveHandles() before the setTimeout of the working timer and got 21 handles. One callback is working as expected which is a bit strange. 2 is not working in the sense that I can step the code and see that setTimeout() is indeed called with sensible values and does not throw. I have 3 timers I can access via the api. Ok, so I have successfully been able to connect the debugger over a ssh tunnel. I do appreciate you insights and guesses though. Which I can agree is a pretty strong indication too. The only thing that doesn't indicate a bug/change in setTimeout/setInterval to me is probably that there isn't 500 people reporting it already due to node being so popular. Granted our sw is also newer on the newer installations but a few of the "workers" hasn't been changed in well over a year. This happened on several servers during the summer (running 10.4.1-10.6.0) but not on any of our 60+ servers running <= 9.8.0. So I find it improbable (but I suppose not impossible) that all these functions have a bug in them that manifest at the same time. Most of the functions are rather small and easy to overview. A third one is querying the NTP status on the server etc. Another checks a local database and talks to a local service. One of my "workers" query an api over the network. So any error or exception should be caught I think (I have double checked that all promises are returned and not just created locally too). I hear what you are saying about unhandled rejections but I do have that catch before the then that sets the timer. I'm sure there are more advanced monitors.īut back to the issue at hand. Using external schedule trigging had not even occurred to me! Today the node process is kept alive using a systemd service that limits memory and tasks and restarts the node process if needed while ensuring always up. I also warmly recommend turning on warnings (in production) for safety and using an APM (application performance monitoring) tool and setting up alerts for uptime and certain tasks.Īgain, I strongly believe this is an issue with Node's user experience (not your or most people's code) and I feel strongly that Node (well, us) should fix no problem, I didn't feel particularly 'accused' because it it was an easy fix I could do to my code I want to know about it so I can fix the problem :D Typically, not on the server and using something that does scheduling - either what your cloud provides, crons if you're on a VM, k8s/cron jobs etc. Perhaps there are a better construct to keep some "background tasks" executing but I thought this was simple enough to do its job. Also it's possible your problem was entirely different and we do have a bug in setInterval - so take everything I say (guess) with a grain of salt. I'm getting "off" timer land and into "promise debugging land" here - just saying this is entirely on our radar and something we're thinking and talking about improving. Many people don't log warnings in production. recurring tasks fail, but since Node doesn't exit on promise unhandled rejection warnings the server chugs on.there is a networking "hickup" and stuff fails for just a second or two.If there is a way to get the "unhandledRejection" warnings then there is a very high chance you'll see it there. To be clear, I am not accusing you of writing code problematically - I am saying Node should guide users to safer ways to write code and make them "obvious". Marder’s gutsy lead turn is ably supported by a fine ensemble cast ranging from veterans (André Marcon) to other relative newcomers that we can expect to see more from (former child actor Anthony Bajon is particularly good as Irene’s brother). In July of 2020, a now-deleted TikTok went viral that showed a large house party, most likely at the Sway House, where it appears that Blake and Amelie are snuggled up while watching some friends play beer pong. We sense that there is a degree of defense mechanism to her blithe spirit, that the only way she knows how to deal with encroaching danger is to not deal with it. Blake Gray and Amelie Zilber first sparked dating rumors after a TikTok went viral in the summer of 2020. The contrast between the severity of the looming threat that Irene seems determined to ignore for as long as possible, and the lightness of her way of being in the world, is part of what helps her “Amélie”-esque outlook register as so moving. Watch it on Documentary Movies & TV by Fawesome, Fawesome. Irene’s preoccupation with young love and her hopes for the future are those of almost any young person Kiberlain’s thesis is that these are universal concerns, regardless of whether your adolescence is blighted by World War II or not. Amelie Zilber Talks Grown-ish, Blake Gray, & Madelyn Cline, a movie is available to stream now. Kiberlain is interested in the timelessness of teenage dreams (with a few deliberately anachronistic soundtrack choices almost threatening to make this point too loudly). Marder’s open-hearted performance is given a substantial assist by the way it contrasts with the period backdrop of the film, which Kiberlain strategically keeps at a slight remove for the majority of the film’s runtime. You can easily imagine a less talented actor faltering Irene’s naiveté and freshness are certainly plausible but not necessarily fashionable qualities in the current cinematic landscape, where teenagers tend to be only too self-aware. Watch popular content from the following creators: dumpp.edits(dumpp.edits), madu(lilpapiblake), Amelie Zilber(ameliezilber), Blake Gray (blakegray), Blake Gray (blakegray). She manages to demonstrate both screen presence and likability, despite a role which requires her to represent youthful optimism to an almost symbolic degree. Discover short videos related to amelie zilber and blake gray on TikTok. Newcomer Marder’s performance is a thoroughly engaging one. See more ideas about amelie, couples, cute couples. Fortunately, in the case of French actor Sandrine Kiberlain’s directorial debut, both factors work in the film’s favor. Explore Slytherin's board 'Amelie and Blake', followed by 263 people on Pinterest. Where exactly they land on the spectrum from endearing to annoying, depends to an enormous degree on both the actor who plays them and the context in which their zesty enthusiasm for life plays out. These kinds of bright-eyed lead characters, whose defining trait is their insistent need to seize each and every single day in a keen and vice-like grip, are a long-standing staple of indie film. You must add newline at the end of file.(I’ll be briefing about Main-Class section very shortly). Simply specify the main class by typing: Main-Class: Classname class extension at the end of class name.
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